TRACK | O.R.F. – wie schön

5/5 golden merles

What can be learned from this? Its direct and graceful descent. Its puncture and pulse. The relaxed raving of the narrations, the chosen selection of attributes as illustrative pastiche. The contents holding enough detail to endear as a sort of half stripped down, functional ruin. And the adequate melodic curvature to facilitate an ease of entry into the canal. Why does it work within the genre when so much else seems to flail about helplessly or sicken or combust when exposed to oxygen?

Probably for some to succeed others have to fail, and en mass; some sad blighted aspect of human perception and consumption: if too many find a balance they become unremarkable and we sharpen the point at which the balancing is possible. And whatever gets caught on that spear is called progress or best of the year, the reward of which is to be impaled and left atrophying in the sun. Also, it’s a nice pop tune and fun!

The track responds to a feeling, irreverence and care balanced out in one coherent, self-contained, 83 seconds of media. It tolerates enough elements of the antithesis to overcome intellectual opposition through instinct. Or maybe it curtails instinct sufficiently in order to compose a pleasing and compatible story.  It is the same game as always. But this is a good attempt. According to me, a man who can just about afford to pay for webhosting.

Either you’ve heard this song 20,000 times before or you’ve never heard it. The limits are in place: lung capacity, coincident rhyming forms of language, melodic coherence processing tolerance, range of audible tone and transmittable frequency, mass production, and a hundred other great filters of pop music. Eventually the plaque of nostalgia will harden entirely around your heart. You can use this as a test to see if the barricade is complete or if some gaps remain for admission. $0 on the bandcamp.



TRACK | M.A.Z.E. – Spread the Germicide

5/5 golden merles

II is a vital and frenzied Japanese punk/post-punk rock with enough energy and inventive instrumentation to make its own wave outside the new/no paradigms. Phrenetic and more fun than falling out through the bottom of your own confetti-stuffed coffin.

It is always acting, moving, while we’re all left cleaving to causation, digging about for clues from which actions can be derived, meanwhile M.A.Z.E. have become motion itself. It reminds me of another maelstrom of an album I admire, Black Bug’s 2010 s/t. Each track deviating, but also revolving around its own star and in its own solar system of songs.

It’s a little bit of a revelation that makes me slightly sick to my stomach, a solution that evades this sort of pretense; just lean into it and never stop enduring. Like any good media worth it’s weight in physical space, it creates a world of consistent rules and value and adheres to them. It can be got on black vinyl from Lumpy Records for $17 / $6 for digital folder in perpetuity.

TRACK | Mižerija – Izolacija

5/5 golden merles

Mižerija’s “Izolacija” is solid Croatian post-punk that responds with a sort of melodic revelry to the grand terror and trepidation of existence. Particularly, it is concerned with isolation, the literal/physical and myriad metaphorical forms. And the track acts as its own antidote, a celebration around form and a type of commiseration that brings the outsiders together.

The swords, ploughshares, and spears have all been hammered into hooks here. Another strong counter melody even reinforces perpetually from underneath amongst a great peripheral detailing of yelps and backing screams. This is filed under the Tom Waits quote about liking “beautiful melodies telling me terrible things.”

Speaking only from the rough google translated lyric and the perceived style and emotion, it reminds me of an excellent line from the newly elected vice president of Colombia, Francia Márquez, “We are going to move forward from resistance to power until dignity becomes something our country is accustomed to.”

The cost is arbitrary, pay what you want, as determined by your gut biome and an abiding sense of shame. Or, immortalized in wax physical form, there’s black and blue vinyl out on Doomtown Records.