One of the 24 albums I own is The Mallard’s Yes on Blood. But this might be my favorite track that they put out, and it is from the second Castleface Records album Finding meaning in Deference.
In A Form of Mercy there is a good kind of haunted harmony that has been fused together in fuzz. It rides a balance of coherence that endearingly draws one in. It is just decipherable enough to know that you have been warned.
It is a shame they don’t make music anymore but maybe they do under another name I don’t know, or maybe they’re happy in their undoing or otherwise agreeably tasked. We are fortunate to have these two sets.