Category: post-punk

TRACK | Mižerija – Izolacija

5/5 golden merles

Mižerija’s “Izolacija” is solid Croatian post-punk that responds with a sort of melodic revelry to the grand terror and trepidation of existence. Particularly, it is concerned with isolation, the literal/physical and myriad metaphorical forms. And the track acts as its own antidote, a celebration around form and a type of commiseration that brings the outsiders together.

The swords, ploughshares, and spears have all been hammered into hooks here. Another strong counter melody even reinforces perpetually from underneath amongst a great peripheral detailing of yelps and backing screams. This is filed under the Tom Waits quote about liking “beautiful melodies telling me terrible things.”

Speaking only from the rough google translated lyric and the perceived style and emotion, it reminds me of an excellent line from the newly elected vice president of Colombia, Francia Márquez, “We are going to move forward from resistance to power until dignity becomes something our country is accustomed to.”

The cost is arbitrary, pay what you want, as determined by your gut biome and an abiding sense of shame. Or, immortalized in wax physical form, there’s black and blue vinyl out on Doomtown Records.

TRACK | FIVE BUCKS – dunno

5/5 golden merles

Egg punk / devocore excellence in its nascent form from Italy, “dunno” leads off a ravenous set of bedroom demos. They are refined well beyond the point of standard demo production, perfectly patina’d in the phaser and verb. Fangs lifted from the nightstand and affixed, it’s come early this year: a very happy underwater Halloween to all who celebrate.

A top tier example of this beaming, radiant golden era of home recordings, producing much in the way of admirable reinterpretations of what constitutes wonder through the prism of shared influence. Things are getting weirder and better, as far as I know. And all while honing the human heart and core of the thing.

A great set and it has received the seal of approval from two global champs in the cause of promoting the intricate and warped: tapes from Painters Tapes (Detroit/US) and Syf Records (Poland) for the EU buyers.

TRACK | Mesh – Ur Dead

5/5 golden merles

Art punk and garage rock from Philadelphia, pretty great and the amorphous sound of coddling a curse as it’s brought to fruition. Or a few of them. “Ur Dead” is in good company, a super strong set of clank and strum; vocals are traded, guitar tones are produced to an insultingly good state, a film of collateral detailing enveloping the fundamentals.

The track is about the days burnt up within the relative niche of ones life, leaning into the decline, time whiling toward an untimely and self-contained exit. But it’s all for the best, more or less, to the extent that any of it matters. Lots of good humor and shake, reminding a bit and fondly of The Rangoons and Scott and Charlene’s Wedding, if you’ve found comfort in their ilk.

For the price of $5 USD (or more) for digital or tapes from Chicago’s Born Yesterday Records.

TRACK | BRAK – Smashed Tape

5/5 golden merles

More lo-fi noise punk from Berlin which seems to clearly be making an era of it, “Smashed Tape” is another corroborating witness to that moment. With feedback as the fuse, frenzied and full of an apportioned insolence, it is the refreshing kind of well-tempered visceral filth that comes arranged in sequences and accompanied by drums.

The track offers a guilty plea as a celebration, the confessed breaking as deliverance. It is a modern post-punk, no-wave, noise rock assemblage, and has the texture of few ounces of name-brand bottled miasma. It falls under the category of those few precious things that as we become inured we also become enamored. We’ll be looking forward to hearing the rest of the EP when it surfaces. There’s a bonus track on the 7 euro tape, out from adagio830 August 13th.

TRACK | Wombo – Below The House

5/5 golden merles

Wombo’s Fairy Rust is one of my most anticipated records for awhile and the “Below the House” single is the well chosen/ideal entry. The staccato conversational admissions form the crux of the thing with the bass riff bubbling beneath, absorbing all the terrestrial elements; a nonabrasive and brightly melted solo closes the sequence, outsized, life-like.

From the start you feel a cache is built up with reserves of the flitting but determined melodic phrases, the simple accumulating into gentle grandiosity through the appropriate sequential consequences. Lots of unknowable but familiar components, plainly cryptic, recognizably indecipherable and the like.

Wombo are on tour and the vinyl’s out on Brooklyn’s Fire Talk Records, black or red for a buck more. It’s good sound to hear.

TRACK | GLAAS – Concrete Coffin

5/5 golden merles

Berlin punk rockers GLAAS have released their album Qualm, and this is the formidable lead single “Concrete Coffin.” Kinetic and harshly configured hardcore elements emerge derived in collaboration with members from Clock Of Time, Exit Group, Cage Kicker, Idiota Civlizzatto, Lacquer, among others.

It’s has that fraying and bashing you’d want if you could tolerate a little chaos to reshuffle the deck. The vocal implores from inside the metered mire, considered and class. There are a few brutalist synths fountains populating the general state of ruin. It is this kind of realized honing of dread that we recognize our collective discontent, see it embodied.

That’s a good and worthwhile endeavor. The vinyl is out from London’s Static Shock Records, clear or black, however you paint your windows. Fun, bleak rock.

TRACK | DADGAD – Control

5/5 golden merles

“Control” is pulsing and moderately remorseless post-egg-punk from Rome. There’s great calibration to the balanced assemblage of digi drums, weighted to within an inch of collapse, and that guitar/synth melody cloaking the percussive tremor.

There’s lots of good and uncanny foreboding to it despite the relaxed pacing and inflection. The vocals are crisp, burnt up nice, presiding from postern, behind the delicate horde amassed up front. The EP carries on like this, considered and detailed throughout, and it’s all a great relief, frankly.

There is a run of 47 tapes out from Detroit’s stellar Painters Tapes for $5 USD. You can still get it at the time of posting.

TRACK | Bleeding Rainbow – Underground

5/5 golden merles

From Pennsylvania-based noise makers Bleeding Rainbow‘s 2010 Prism Eyes EP, “Underground” is bright and radiant rock. Some unique genre contamination in the shoegaze and punk elements and structure, it’s a kind of modular pop chimera. With the aural vocal phrasing stacked in two lanes, the miscellany of influences are always serving foremost melody.

Frenetic, everything pushes constantly forward. There is a proactive panic that elides stagnation, rapidly circumnavigates the drudgery of taking a breath, or pause, or a moments silence. Every vowel is elongated to enwrap the line and seemingly also to cushion the final blow: who can direct us where to go / my mind’s made up / the answer’s ‘no.’

The internet promises that the Hozac discs still exist in the world, and some of which are gold.

TRACK | Hierophants – Hail Stones

5/5 golden merles

From Hierophants’ debut, “Hail Stones” careens and craters, a daydream of destruction and elemental escape from the self. Lo-fi rock from Geelong, Australia, it is appreciably equal parts glittering and gloom.

I like the symmetry and measure throughout. The drums stem off in reserved but significant patterns, steadily alternating in variance, keeping things on the whole goodly deviated during the synth and vocal melodies iterative delineations. That harmony and tension dynamic adds a lot of good depth and proportion to how it all falls precisely together.

The ruminations about transformation are fun and inventive interludes to the core instrumentation. It is refreshing to see the percussive aspect used as the element that is given freer reign to pick apart the structure, an inversion of tradition while all the pieces still combine favorably.

It can be yours for $12.99 as black vinyl from Goner Records, or a buck more for the Yellow mold.

TRACK | Woolen Men – On Cowardice

5/5 golden merles

Speaking of Portland-based tributes to storytellers, here is Woolen Men with one for the late great actor and writer Spalding Gray. There are many killer phrases exclaiming and examining within: even ten thousand hypocrites / is not an invincible army. A good sequence heaping and revising proverbs in a style befitting the man paid tribute.

The style is a deliberate weaving of bass and lead around the era, the tube amps inflecting the post-punk, active-punk and perpetual pop. In the fills and phases, there’s sensible problem solving and strong arrangements throughout, more metered and measured attention to detail from the Oregonians. It’s a careful blend of viscera and philosophizing with much empathy for the listener.

do you want to stay cool forever / or do you want to burn with love? / each choice has its punishments / each choice has its own reward.

$10 for the vinyl of Temporary Monument from Woodsist. I am so far behind, haven’t spent a minute with 2020’s Outta Reach or the other 2020 single’s club releases yet but looking forward to that period of time.