Noun Verb Adjective has some wonderfully crafted lo-fi bedroom pop rock.
If you would believe it, Boys in the Sand does have some Beach Boys stylistic parallels. The hooks and layers of vocals carom over one another and the tambourine/snare provides a warm and welcoming hive to orbit.
A superb owl on the cover guides you home. It’s a good, small marvel.
Sickly strummed guitars and cooing, warbled vocals are good. This song has both. It also has the most minimalistic drum track you may have ever heard in which one remains technically present.
The sum of it’s parts are quietly a spectacle that is worth taking in.
It has all the energy and promise of that first demo draft of a melody and rough lyric, a stab taken on tape, to play back later to build upon, before the verses are nailed down and the chorus repeats, burdensomely, to warrant having taught it to the band in the first place.
At 74 seconds, It’s a non-invasive surgery. What do you have to lose.
Well, well is a stunning track and, good news, the whole album is built like this. Maybe a full, proper review to come when things settle down a bit.
But Black Bug’s s/t is a well contained rampage of burning saw patterns, choral uproar and properly clobbered digi drums.
15 tracks and no song is longer than 2:08.
Female/Male tradeoff the purging, vocal utterances and I don’t know if any album is as much fun as this is fun.
Name your price.
Even given the perpetual deluge of quality bandcamp content that no one of us will ever be able to sort through, it is borderline criminal that Windowsill’s “Twolip” has 9 sales to date.
Recommended to me initially by my internet-pal Paolo Yumol (who makes fine music in his own right), this track is sheer wonder and sweetly confides in its listener in the most appealingly warped and ravaged manner.
The strings and refracted melodic variations and repetitions build to great effect. The detailing and textures are comprehensively plotted. Its greatness is readily apparent. ok?
To my taste, Karl Neudert’s extremely prolific demos are better produced than anything I’ve ever mastered.
When the chorus/backing vocals kick in around the one minute mark something very good becomes revelatory and mercilessly catchy.
Seek out his hyper-active youtube channel for more radiant lo-fi hooks.
Plainly & Painfully 