TRACK | Druggy Pizza – Radium Canyon

5/5 golden merles

More glint and relentless corrosion from our friends at Druggy Pizza, “Radium Canyon” spells doom for us all but in a good way. Garage and psych rock veiled in withering and decadent tones, I wager the rendering of which will please fans of good things and anger or confound most of those who aren’t.

The melody of the guitar lead roams freely around the bass’ substratum, prowling the chasmal expanse. The reverb is slathered across the channels and stings. A Fender quad is purring, graciously and expertly propelling the audible tones produced by the bending of metal at certain wavelengths.

The heat comes off it in radiant streaks, it bends the light around it. It’s a good approximation of a fruitful fever. It deserves to be wound into wax, if it wants. But for this digital 2020 set you can name your price.

TRACK | Druggy Pizza – Like Pigs In A Slot

5/5 golden merles

Featuring members of Dusty Mush, Cédric Bottacchi/Druggy Pizza’s “Like Pigs In A Slot” convenes the crunching and crushing of waves in a not dissimilar manner. Unrest and deliberate deconstruction, it’s surf rock on a sea of molten gloom and Midas detritus.

The blistering, proximal bass synth continues grinding in perpetuity, as the focus shifts from the background grind to the central figures portrait, breaking the established mold a few times in a matter of minutes. The whole EP/split’s worth spending some time with.

If you, like me, hold its contortions in high esteem, look also into the 2020 set and checkout the handful of vinyl from the Peace And Love Barbershop Muhammad Ali split.

TRACK | Dusty Mush – Faux Sabotage

5/5 golden merles

“Faux Sabotage” is a collapsing edifice of a track. Only the barest ingredients and essence remain. Whatever came before has been ground down into a few remaining functional base components. The song is approximately 93 seconds of rooting about the rich tones of rubble.

If the tones can be this rich, I apparently can be temporarily endeared to the greater abstraction. There is a point at which style can overcome most minimal thresholds for substance, if it has at least some posturing towards coherency for a few lines, found here toward the meridian, and the track ultimately does not overstay its welcome.

There was a very limited run of lathe cut Pizza Dischi physical forms. Apparently etched on CDs using machines from the 50’s, these are then played on a turntable with individually unique lo-fi buzz. No one at the moment wants to exchange them for monetary reward at Discogs. But the digital form is well worth your converting into Euro for our French friends in Melun.