TRACK | Sam Hirst – Little Thief

5/5 golden merles

Sam Hirst’s single “Little Thief” is gracefully askance lo-fi rock, lyrically inventive in its casual utterances, hooks solidly hooking as honed from the various instrumental and melodic turns. It’ll feel a lot like summer even after the summer is gone.

There’s a kind of free-form fragility you expect to combust early doors but instead it thrives within the habitat of that gentle rumble and tonal canton. Sometimes the drums stagger, always finding their feet. The specimen of the feeling has been preserved in rare and unflawed form in that terrifying and hopeful manner only art allows.

“mother nature gets my goat/she just needs a neck to choke/so when she grabs me by the throat/I won’t be surprised”

There’s plenty of finesse that’s gone into it; the bass step-down playing off the established guitar lead, the snare snapping in a manner that awakens but only gently obliterates your brain, the backing vocal’s sustained waver girding the latter stages of a verse, a few symbol splashes toward the credits.

“I won’t help you escape, sorry / you tried so hard to get out of your body,”

The digital track is $1.50 USD on the bandcamp. Is a magic incantation worth that? Or you can repeatedly stream it on that other app I’m morally obliged not to link to. But you’ll have to play it 7,500 to get to the $1.50. Your assignment is to pair it with Gabriel Herrera Torres’ “The Motorcyclist’s Happiness Won’t Fit Into His Suit” and reservedly rejoice in a private ceremony of your choosing.

TRACK | variety – Plover

5/5 golden merles

Variety’s “Plover” is Texan avantpop rock composed of compelling narrative subversion, sticky melody and tone. The hook is a compacted material derived from descriptions of naturalistic imagery, the conflict of the domesticated and undomesticated in comparison to the authors interpersonal dilemmas. It’s thoughtful and pretty dang fun.

I need my streams and mountains tempered by the grim specter of death. Gluck and Johnson, Bly and Ruefle. Some human fingerprints on the felled log, beach towels on the bog, a figure ever-present on the vista to trample and insist.

Whereas at the end of “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota” Wright pulls it all back home, a new frame, fitted, variety’s entry point with “Plover” is immediate. But it functions in a similar way. The relationship is described then promptly the tangent turns away, meanders off skyward, the footnote consuming the page. And then another. Relative to the original focus, the elaborated metaphor informs the initial concern, compounding all the more weight.

Two of the greatest modern scouts of imaginative rock have already signed off on the making, Groschi and Doyle. If you’re not already following them, what are you doing here?

The singles are combining into an album to be released in November: bandcamp / name your price.