Tag: Rock

TRACK | Acid Baby Jesus – Down The Ley Lines

5/5 golden merles

“Singing head, oh singing head / floating down the river bed“

The balance of twang and echo on that lead guitar is a thing of perfection, as is the gentle noise perched on the back of the track, quietly enveloping everything.

Likely the warmest and sweetest rendition of late 60s/early 70s production to come out of 2017, Down the Ley Lines could easily show up on a “lost gems” compilation of that era and nobody would doubt it’s origins, save for a couple audio engineer freaks who nobody likes anyway.

Give these nice Greek boys the 7 euros you were saving for lunch.

TRACK | Mordecai – Seeing In

5/5 golden merles

Seeing In feels to me like a mid-tempo reconnoitering, alternately an outwardly peering: a bombastic survey of the night. It has within it all the hallmarks of an assessing, what we have to work with and the setting of terms for success or surrender.

“let this night pass away / mocking shadows one by one”

The moderate off-kilter imbalance of the strumming and drumming compliment the mood of this conjuring… the song rises and pivots with purpose, looking over it’s shoulder.

It is very, very good.

ALBUM | The Lentils – Brattleboro is Flooding

5/5 golden merles

Brattleboro is flooding is one of my favorite albums of the last decade.

Sweet Disease is one of the finest tracks of that admirable set. Although it feels like the dawn rising, it is the 2nd to last song on the album. Not a bad way to end: a beginning factored in, locked and loaded. Something to remember and maybe clumsily burglarize.

Csehak has written many rich and originative lines in his time occupying space on this earth and more than a few of them found their way into this album.

“You gotta hand it to the other side / at least they’re forgiven.”

Other standout tracks are I lost my favorite enemy, a theory of drowning, and brattleboro is flooding.

These fine young thugs have found their way onto most mixes I have made over the last few years. The Heart is a lonely Mangler (Botanical Castings) and The Loaves of Oblivion (11 new flavors of oblivion and why the shining ones don’t want you to know about them) will feature on this archive at some point soon, if I am to continue having these things appear daily.

TRACK | Vacation – Captain Unsensible

5/5 golden merles

Vacation’s Zen Quality Seed Crystal opens with two very strong tracks for the genus rock-type.

Both Hole that Once Held a Screw and Captain Unsensible have the spark of lo-fi magic and that can be found similarly glinting about in golden-era Brian Jonestown Massacre/Guided by Voices layering.

If the goal is to access the feeling, the production is expert. Just on the right side of coherence, it’s good and it’s probably a kind of mastery.

TRACK | Daydream – Duality of Love

5/5 golden merles

Daydream provide high energy and experimentation around traditional structures.

The borderline incoherent vocals are still great as instrument and texture. But the lyrics are also there on the bandcamp if you want to read the fine print:

“Can it smirk? Can I take any power from it?”

Coming out in December 2020, Mystic Operative still made the year-end list last time around the sun. Maybe because it has a strange and wonderful density to the performances. Every 2-3 minute long song feels twice that, and in a good way.

And in this way the song/album feels like the raw material of a type of rock music, some kind of natural resource, almost unfiltered but for the mix. Elemental and admirable.

TRACK | Mope Grooves – Here Comes Another One

5/5 golden merles

Listening to new music you find that most songs are speaking in vague and grand generalities. Their subjects are love and death, to the extent they have them. By and large, the melody is the message.

Most songs are used as a platform to display the singer’s performative talents. And depending on your cultural conditioning you can grant them credulity or not.

“I was only calling / to talk to my brother”

This isn’t that. Mope Grooves’ Here comes another one appears to be a song about a relationship. And within that an interaction. And within that an instance.

Music is a tool. Whatever conditioning I have been subjected to and/or later sought out values lyricism including storytelling and texture.

And in minimalistic instances like this one, the gravity of limited phrasing amplifies its significance. All of this creates a small but highly detailed world, one possible to escape into, if you want, and is some real nice storytelling.

TRACK | Shannon and the Clams – King of the Sea

5/5 golden merles

Pretty sure King of the Sea is rock and/or roll, though it’s seen in the wild so rarely that sometimes it is hard to recognize.

There are plenty of bands in possession of guitars and drums, and they even play them, if pressed. But not quite like this.

All the pretense is stripped, and under the guts of the track are exposed a bit. And still it staggers forward with a rawness and intensity, the energy (probably eternal, huh?) is unleashed.

Captivatingly and kindly, they’re playing to the pit.

Sleep Talk is not on bandcamp, unfortunately, and spotify only lets you embed a 20-second clip (?) but here’s their other stuff.

TRACK | The Baptist Generals – Going Back Song

5/5 golden merles

There are two excellent renditions of this song on No Silver / No Gold. The other is a better single, but the version included below from the end of the album is preferred.

“Has anybody seen my bag / it’s the one I put together for the leaving”

This is what folk/americana could be and should be known as: all the layers of grit, complexity, simplicity, and directness. A unique and passionate delivery, playful and apocalyptic.

And just the one long note on the organ, putting Iggy to shame; making him out to be an overachieving opportunist for all those additional percussive hammerings.

TRACK | The Coromandelles – The Project

5/5 golden merles

The Project is a golden and somewhat bloody haze of chamber surf. The tune is outfitted with much to admire: bells, whistles, but structurally it is also sound underneath.

Proudly pop, lest the textures fool you, the build into the chorus will convey and confirm your suspicions: all of this is meant to go together, and is precise with intention.

Artisans have built it and now it is to be admired. It’s a great structure of a beast.

TRACK | Naomi Punk – Gentle Movement Toward Sensual Liberation

5/5 golden merles

In somewhat keeping with the aside, this is an instrumental track on an album that otherwise features exceptional vocal production and performances.

And within that context, after the also superb track Burned Body, Gentle Movement toward Sensual Liberation lands with the most wobbled grace and poise.

An enclave of singing synths deliver a kind of orchestral chamber pop, built around two well textured, extra-strength melodies.