TRACK | Smirk – Mind Temp

5/5 golden merles

I’m 5 or so EPs behind on Smirk’s oeuvre and it’s unfortunate. Mind Temp was on the prior mix and Cassette II is on the year-end list for 2020.

All the fundamentals of tone, texture, melody and structure are in place. And it’s a great relief to me having listened to much that has no sense of itself, much that has no regard for arrangement and harmony, much that does not capture a feeling, much that contains neither compelling doom-saying nor derring-do. Whereas this does.

It’s some Lo-Fi guitar pop, good and good for you. Do as I say, not as I do and go listen to the rest of the assembled tunes as well.

TRACK | Privacy Issues – Hold My Breath

5/5 golden merles

Privacy Issues’ self titled is some of the lo-est fi-est EP to come out of 2020, which is still relevant to us thanks to the nature of time progressing forward and rarely if ever backward, despite the desires of the regressive.

The guitar hooks interplay with that circular writing structure, everything guided by the minimal drumming, and all of this works alongside the very high quality vocal melodies.

It seems simple, but it isn’t. Or it is, but in the way that a diamond is simple: freely forming, found in dirt, but honed over millennia.

I bought the tape and I have no tape player. But someday maybe I will? Probably one can still be purchased from the goodwill for a few dollars and then fixed for a few dollars more.


TRACK | Death Lens – Witching Hour

5/5 golden merles

It is difficult to keep the bile intact as it populates the mold, all to be bound and set, maneuvering within the pop structure.

If you like The Cramps Psychedelic Jungle but despise this, I would wager that the nostalgia has rotted your brain.

Or you’re partial to The Stooges’ Funhouse but don’t see any redeeming qualities in what Death Lens are retching up here, well then something is off, and future assessment are brought into question. In my estimation your pure perceiver may be found untrue and needs calibration.

TRACK | Hair Peace – Summertime

5/5 golden merles

In the bleak mid-winter, let’s dwell on sunnier times discussed and celebrated in Hair Peace’s Summertime, as featured on their 2014 Summer EP. It has a melody like radioactive molasses. It compels you to have faith in the youths. It reminds you that verses and choruses can coexist in peace, hair peace.

That I am the only individual who has purchased this item (from the Bandcamp page, at least), is a kind of crime against humanity. Some CDs were apparently available at Bloomington, IN’s, wonderful Landlocked music, where I spent a good deal of student loan money at their various locations one hundred years ago.

It was Schopenhauer who said “Man can do what he wants but not want what he wants.” OK, But you should want this EP. It’s good. Contract it today.


TRACK | Purple Mountains – All My Happiness is Gone

5/5 golden merles

Howdy, friends, ever bought a digital album from a dead man?

“Lately I tend to make strangers wherever I go / Some of them were once people I was happy to know”

In my estimation, if you ever write a line that good for the rest of your life, it was more or less worth it. David’s death coinciding with the release of this album reminds me a bit of some anecdote from Camus about a young author who wrote a novel then (in part) killed himself to promote it. The joke is that it did get the attention of the newspapers but the work itself was universally panned.

Unlike this dead fellow, Purple Mountain’s self title release is superb. The parallel is only the timing, the creative act, and the demise. I also greatly enjoy Berman’s poetry, like this from 1999’s Actual Air:

“Snow”

Walking through a field with my little brother Seth
I pointed to a place where kids had made angels in the snow.
For some reason, I told him that a troop of angels
had been shot and dissolved when they hit the ground.
He asked who had shot them and I said a farmer.


Then we were on the roof of the lake.
The ice looked like a photograph of water.
Why he asked. Why did he shoot them.
I didn’t know where I was going with this.
They were on his property, I said.


When it’s snowing, the outdoors seem like a room.
Today I traded hellos with my neighbor
Our voices hung close in the new acoustics.
A room with the walls blasted to shreds and falling.
We returned to our shoveling, working side by side in silence.


But why were they on his property, he asked.

TRACK | Mar – Mother of Broken Men

5/5 golden merles

Mar make excellent sludge metal and noise rock. This track is an aside, a kind of misrepresentative sampling of materials. But it is also my favorite track among many great ones and the one that fits best this kind of meandering assemblage of posts.

From John Ralston Saul’s Voltaire’s Bastards:

“There are no more secrets today than there were when Sun Tzu wrote. What we do have now is a worship of the idea of secrecy. The brief vogue of existentialism in the middle part of the twentieth century illustrates precisely what has happened. A philosophy which declares that people will be judged by their acts could not possibly survive in the West. (Instead) we believe that people are what they know and can be judged by their power; that is, by what they control. In a society based not upon action but upon systems, our place within the system determines our importance.

“The measure of our power is based upon the knowledge which either passes through our position or is produced by it. One of the truly curious characteristics of this society is that the individual can most easily exercise power by retaining the knowledge which is in his hands. Thus, he blocks the flow of paper or information or of instructions through his intersection to the next. And with only the smallest of efforts he can alter the information in a minor or major way. Abruptly he converts himself from a link into a barrier and demonstrates, if only to himself, his own existence.”

TRACK | Sheer Mag – Expect the Bayonet

5/5 golden merles

Some of you latecomers may know this as the theme to Useful Idiots pod with Matt Taibbi and Katie Halper. But with great pride I say that I was among the billion people to have heard it prior to this exposure. Which still puts me in the top 12% of listeners. Not bad.

Sadly, such things are rare, this sort of lyrical content and impassioned delivery, in a format that is meant to be heard and not merely tolerated.

So before the worlds been reduced to soot
Solidarity for those underfoot
I better remind ya
Or you’ll surely regret
And if you don’t give us the ballot
Expect the bayonet



TRACK | Heaters – Levitate Thigh

5/5 golden merles

For anyone who knows that hooks are made of metal and think that it’s high time they sounded like it.

In the writing I’d have probably lost my nerve and had that build successfully utilized once. But Heaters are wiser and more competent in their construction. And it is a thing of wonder.

Maybe this is all it takes to qualify the grand in Grand Rapids, Michigan. Lesser things have been given bigger honors.


TRACK | Timber Timbre – Black Water

5/5 golden merles

Sunshine is the best disinfectant. Unless of course you’ve got some bleach, in which case sunshine can go screw.

This is a timeless track. Many distinct elements compile in concert, with great measure and purpose: horns, synthetic strings, a bass line that goads and simmers throughout.

There’s no reason to be afraid, technically. It probably won’t help. Unless the fear is a prerequisite to the release of adrenaline. Unless the body can’t administer this panic without adequate fear, a mere recognition of the danger insufficient to trigger the response.

TRACK | Coma Cinema – Satan Made a Mansion

5/5 golden merles

I don’t think anybody can in good faith argue with how good a line, “Satan made a mansion for love to live when it dies,” especially in the way it is casually uttered here, and considering its fine abbreviated state existing as both precursor and title.

Few and far between are such killer refrains.

And that is not yet to mention some of the best lo-ish-er-fi production this side of the infinite lapse.

You don’t need me to tell you whose fingerprints are on this one. I only wish I could do my influences this kind of fearless and forthright justice.