La Tormenta is the final track on Daga Voladora’s wonderful album Chiu-Chium (“an onomatopoeic representation of the sound made by a flying dagger,” referenced in track 5).
The album cover approximates well the texture, color palette and detailing within: varied warm and fractured synthesizers revolve around the vocal heart of each track.
The track selected, La Tormenta, is an account or rumination on being at sea in the midst of a storms throes. A cover of Lorena Álvarez, the poise of this rendition is held in perpetual balance by the 4-5 electronic murmurs.
There is among them what appears to be a synth estimation of a harpsichord involved, that calmed but febrile plucking. The style is of the highest order, pacing, structure, production and melody.
The calming and all consuming dread is felt, whether in defiance or resignation. And the beauty of this lamentation contorts to good whatever cruelty of fate initiated the storms summoning. There is an account. They have come out the other side.