Finally a cover that looks like it was intended for the digitally ornate frame it has received (at least, I mean to say, classically/traditionally, in some outdated sense that seems reasonable to the outsider…).
When my grandfather was expiring in the hospice we took with him an illuminated painting of the sea. Originally it was displayed in the basement of their old house for a few decades. Then it spent another couple of years more prominently displayed in his bedroom at the condominium.
Maybe it is of the forest not the sea, I can’t find the image of it on my phone. The picture is semi-translucent and a couple of electric blubs light it from behind. I know it is in one of the 20 different family text threads that arbitrarily add or exclude one or two individuals and seem to be used interchangeably.
In any case, I remember it as a representation of the sea. And it followed him around for years, idly glowing. And it resembles this cover image, probably. Ricky Eat Acid makes art with great attention to detail, metering and a deep empathy for the individual listener. That he excels at the projection of their consumption is a matter of public record.
Plainly & Painfully 
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