Tag: Leipzig

TRACK | Egg Idiot – Meltdown

5/5 golden merles

Leipzig eggpunk with the uncanny ability to channel estrangement into melodic rupture. Egg Idiot’s Help ! is hyperactive malaise as an exaltation, serving with distinction in the line of trash punk, and both a degradation of that which is superfluous in rock and a refinement of its redeeming qualities. Composed of composting tones and rotting with true relish, it’s an exquisite set.

It’s a very good achievement, one I’m going to have to sit and absorb and hope its contaminant remains in my blood as influence. Each track is moving swiftly upward, a distinct sample from the mantle of the core. It’s inviably pounding and cracking with more conviction and force than you expect from any one man band, feeding/rallying off its own fury. And maintaining that emphasis within the its intricate layering, burning melodies and segments at a venerable rate. Any track seems like a good entry point, with its extreme consistency.

For more look to the new/magnificent “Feel Like a Dog” video, something significant and full of detail and invention. Or look back also at the beautiful “Barf Life” video and the prior feature . Support your local egg-based cretin by naming your own price or purchasing a cassette for €7 EUR or more.

TRACK | Ambulanz – Wire

5/5 golden merles

Another gem in the Leipzig scene, Ambulanz makes an opposable and articulated sort of garage punk. It feels specialized, amalgamated with magma and deviating, mutating, evolving in inhospitable terrain. There’s real nuance to the vocalizations and utterances, both the phrasing and the way they stack; it’s literally and figuratively marching to the contemplatively staggered, intricate beat of its own drum.

A good mix of drone and pulse, bones and meat, the track is brought into being with intuitive and intelligent design. And it is convincingly conjured. It takes great empathy to orchestrate tactically such a wrath, placing the pieces in the proper sequence to collapse for the sake of conveying a message in the pile that remains. Even the outro pulls you into that excavation, the room, the rain, the noise; whatever it is, breathing.

I initially missed it when Groschi posted about it in June and won’t crib the sounds-like list but if you like this go there and see, you’ll have (metaphorical) fuel for a month. Tapes are out as of September on the bandcamp for €6 EUR.

TRACK | Egg Idiot – Barf Life

5/5 golden merles

We may remain in Leipzig for awhile, the scene is flourishing, filled with good and strange things in this baleful era. Egg Idiot is frenzied diy synth and bedroom punk. It may also be the closest thing music has to Ideonella sakaiensis, the bacterium that manages to prosper in the ocean now polluted by plastic; in other words: something seemingly built for, adapting to, and thriving in hell.

The style is rough, rabid/rapid instrumentation, cranked and howling into a vocoder. Many, if not most, submissions I receive contain a distinct lack of muck/bile, but here we have both stylistically and explicitly the proper degree of murky resolve: I’m a bottomless pit / filled with vomit.

It’s a crime not to couple the coverage of “BARF LIFE” without featuring also the video George Bruzzle has concocted to go with his tune. You might have to go back to Chad Vangaalen’s Molten Light vid to find a demon this multifaceted. The cover above is from a super limited run on Berlin’s Henne Records, but it is pay what you will in digi form.

TRACK | Lassie – Temporary Cemetery

5/5 golden merles

Lassie makes infectious Leipzig-based synth punk with all the skill stats buffed and tethered together. Nothing stagnates here or rots in redundancy. In its considered sequences there is utilization of all the accumulate instruments, with key and complimentary fills and every passage reinforced in layered melody. It is fun and morbidly inspired, very well pieced songcraft.

The ensemble of and alternating vocals compliment the energetic roving. On top of that, they’re spewing such fine lines in addition to the virulent chorus, like I don’t wanna choose / Between a job that pays the bills / and a comfort built on kills. And probably in a second language, agreeably putting us grubby John Q. Songwriters to some degree of shame.

I went to link to this very article yesterday and it turns out I hadn’t written on it yet. There are 3 versions that I am aware of (The Turbo Discos single version, the Flennen comp, and the above Phantom Records album version) and they all land depending on how much refinement you prefer. The discography is otherwise relentlessly active, looking at the last several years. I’m excited to see more of the back catalog and what comes next.

TRACK | Onyon – Window Shopper

5/5 golden merles

From the estranged estate of Leipzig, another entry in the perpetual golden era of post-punk in Germany. Our friends Onyon have embedded some driving beats in a cloudless convening of no wave tones, as elaborately as it needs to be under the circumstance, with instrumentation direct and effective, including only the muck immediately necessary to instigate life.

For an emergent phenomenon particularly the tape is notably consistent, arriving frustratingly fully formed. A cohesive and iridescent set of tunes, arising like a great reprieve amidst the hunting and gathering. It is not reaching in its representation of events, the quotidian enshrined in considered tribute, melded to a melody and reified with friends.

As the first tape and abiogenesis, it’s remarkably strong and to be treasured. The work has physical media out on the genuinely/reliably great law offices of U-Bac & Flennen in March of 2022 and now Trouble In Mind (Chicago) for US distribution. Cassettes $12/Digital $10.