From the bin rescued personal recordings of Mirabel Lomer, the great aunt of Tom Fraser who found and — with the help of musicians Simon Tong, Antonia Pagulatos, and Michael Smith — collaboratively arranged and reworked the pieces. Her original tape recorded piano tracks are accompanied here by cellos, keyboards, saxophones and synths, interworked patiently and earnestly in an accumulate flood of heartfelt aspiration.
The result is ambient and experimental, delicate and expansive, a lovely tribute that is immediately imbued with implicit meaning through the nature of the finality and tenuousness of its discovering. A context we should all have with respect to all work made by other humans but are deprived of through the mundanity of our manner of existing, the illusion of the banality of daily living as it slips quietly away.
But beyond the affirming story of its origins, the work is remarkably detailed and composed, the swells and pitches elevating and conspiring beautifully across the decades. The original renditions have also thoughtfully been uploaded in their initial scope and design.
If looking for more quality in the rediscovered, see Sibylle Baier’s Colour Green, or maybe Darnielle’s Songs for Pierre Chuvin, for more inspired collaborations with the late and great.